Emulsion 200T
Color Grading Tools Based On Real Film
Unique Grain Structure
Theirs:
Overbearing at times and overlayed on top of the image.
With LUT:
A 1x3 conversion takes the log image from your camera off choice and turns it into 200T Cineon Film Log. LUT is sampled directly from film.
No LUT:
Not a proper conversion and needs a lot of work.
Integrated separately into the red, green, and blue channels. Woven into the image while still being fully customizable.
Ours:
With:
Image becomes more dense. Due to the subtractive nature of this method, RGB becomes CMY and each channel can be affected individually.
Subtractive Color Model
Without:
Image is flat.
A film emulation powergrade created by Sean Onorato
to be used within Davinci Resolve Studio. This tool
emulates the look and response of a Kodak Vision3 200T film negative printed on a Kodak 2383 film positive. It contains a proprietary LUT, a unique grain structure, subtractive color balancing, and more.
A film emulation powergrade created by Sean Onorato
to be used within Davinci Resolve Studio. This tool
emulates the look and response of a Kodak Vision3 200T film negative printed on a Kodak 2383 film positive. It contains a proprietary LUT, a unique grain structure, subtractive color balancing, and more.
Proprietary 500T LUT
Supported Gammas:
Apple Log, Arri LogC, Canon C-LOG 2, Canon C-LOG 3
Fujifilm F-LOG 1, Fujifilm F-LOG 2, Nikon N-LOG
Panasonic V-LOG, REC709, RED LOG3G10, Sony S-LOG3
